A Resource Pack for those seeking support from businesses, trusts and public bodies
Contents:
Introduction to the Pack
Introduction
Arts Funding Context
The Arts Council of England
Finding out about sources of Funding
1. Assessing your own organisation’s capabilities and requirements
1.1 Establishing your organisation’s strengths and weaknesses
1.2 Deciding whether you really need funding
1.3 Decide whether you need cash or other resources
1.4 Deciding how much funding or resources you want
1.5 The quality of the bid is ‘the message’
1.6 Developing an organisational fund-raising strategy
2. Tailoring your bid to the funding body
2.1 Matching your organisation’s needs with funding opportunities
2.2 Understanding the funding body’s assessment criteria
2.3 Typical criteria
2.4 Adapting your bid to the funding body
2.5 Applying to businesses
2.6 Applying to a charitable trust
2.7 Applying to Government bodies
2.8 Applying for larger and smaller sums of money - it’s horses for courses
3. Putting your project bid together
3.1 Keeping your project manageable and focused
3.2 Pilot and preparatory work
3.3 Getting it right and tight
3.4 Good financial management
3.5 Will it be alright on the night?
3.6 Monitoring, evaluation and feedback
4. Presenting your case
4.1 Differentiating your bid
4.2 Tips on preparing the written document
4.3 Giving a verbal presentation
4.4 Using alternative media
5. You’ve been successful - what next?
5.1 Things to plan for
5.2 Planning your exit strategy
Introduction…
This pack outlines what constitutes good practice in terms of applying for funds from a range of different funding sources: charitable trusts; local and national Government sources; commercial organisations; European Union; and the National Lottery, it does not guarantee success for your application. Please note that information can change, particularly criteria for funding schemes. Do ensure that you contact the organisation concerned and check these details before making an application.
It is not the purpose of this pack to provide a comprehensive list of sources of funding for different organisations. However, it is perhaps helpful to provide two ‘first point of reference guides’, one for the UK and one for international sources.
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Charities Aid Foundation (CAF): Directory of Grant Making trusts.-
Directory of International Funding Organisations (also available from the CAF).-
You may also find information, advice, and other guides in local organisations such as your council for voluntary service, volunteer bureau, or local authority.
The Arts Funding Context
…
The arts in England are funded through a wide variety of sources, which include earned income, Government subsidy, private donations and business sponsorship. Through this mixed economy, England occupies the middle ground between heavy dependence on the State - as in European countries such as France and Germany - and almost entire reliance on private investment, as in the USA. Funding the arts in this way can prove highly beneficial to artists and arts organisations as it reduces the risks that can arise from reliance on a single funding source, and ensures that they have greater artistic freedom and financial flexibility. The Department for Culture, Media and Sport does not fund the arts directly, but through Arts Council England. The Arts Council is the national body for the arts in England, and is responsible for distributing public money from Government and the National Lottery. Individual funding decisions are taken at ‘arms length’ from the Government, although the Arts Council is expected to account for those decisions and explain them to Government, Parliament and the general public.
Local authorities are the second largest supporter of the arts in England after the Arts Council
. `They play a central role in supporting the arts regionally, not only through direct funding of arts organisations and events, but also through the provision and management of arts venues, the promotion of arts events, and advice and support services delivered through their arts officers There are currently a number of Government initiatives focused on promoting activecommunities and tackling major social problems such as high crime and poor health, which acknowledge the role that the arts can play in helping them to achieve their aims. They provide some funding for arts projects that address social issues and work with socially excluded groups. You should be aware however, that the work is locally specific and so the level of funding available for arts activities depends upon the priorities within that area.
Four key initiatives are: -
• Neighbourhood Renewal Fund (NRF), which aims to improve public services in the most deprived local authorities in England in order to narrow the gap between these areas and therest of the country.
• New Deal for Communities (NDC), a community-based intensive regeneration programme,
which is taking place in some of the most deprived neighbourhoods in England.
• Positive Activities for Young People, a nation-wide scheme that involves young people at high risk of social exclusion in voluntary sporting and cultural activities during school holidays and out-of-school hours.
• Children’s Fund, which focuses on developing services to ensure that those children and young people most at risk of social exclusion are identified early and given the necessary support to overcome disadvantage and achieve their potential.
To find out more about these schemes and how to get involved contact your nearest regional Government Office, the Neighbourhood Renewal Unit (for NDC and Neighbourhood Renewal Fund) or the Children and Young People’s Unit (for Children’s Fund).
Children and Young People’s Unit
Responsible for the Children’s Fund
Level 4E
Caxton House
6-11 Tothill Street
London
SW1H 9NA
General Enquiries: 020 7273 4906
E-mail: MAILBOX@cypu.gsi.gov.uk
Website:
www.cypu.gov.uk
Neighbourhood Renewal Unit
Responsible for Neighbourhood Renewal Fund and New Deal for Communities
Office of the Deputy Prime Minister
3rd Floor, C/5
Eland House
Bressenden Place
London
SW1E 5DU
Tel Helpline: 08450 82 83 83
E-mail: neighbourhoodrenewal@odpm.gsi.gov.uk
Website: www.neighbourhood.gov.uk
LOCAL AUTHORITIES AND CENTRAL GOVERNMENT
Department for Culture, Media and Sport
2-4 Cockspur Street
London
SW1Y 5DH
General Enquiries: 020 7211 6000
E-mail: enquiries@culture.gsi.gov.uk
Websites: www.culture.gov.uk
www.ukonline.gov.uk Provides access to Government information and services online, including links to all local authority and central Government websites in the UK.
Arts Council England
Arts Council England is a registered charity. It was established by Royal Charter on 1 April 1994, taking over those responsibilities in England previously fulfilled by the Arts Council of Great Britain.
Objectives
The Arts Council’s objectives, as stated in the Royal Charter (its governing document) are: -
1) To develop and improve the knowledge, understanding and practice of the arts
2) To increase the accessibility of the arts to the public in England
3) To advise and co-operate with departments of Government, local authorities, the Arts
Councils for Scotland, Wales and Northern Ireland (or their successors) and other bodies on any matters related to objectives1 and 2.
Role
Funding: the Arts Council receives grant-in-aid from DCMS, and is responsible for distributing it in accordance with the objectives set out in the Royal Charter. It is also a National Lottery
distributor. Advice and information: the Arts Council commissions research and provides advice and
information to arts organisations on a range of issues. It provides an overview of arts activity that allows it to address gaps in provision both by area and by art form. Partnerships: a key function of the Arts Council is to forge partnerships that benefit artists and arts organisations. This includes bringing funding from other sources to match Arts Council support and making wider links between arts organisations and/or funding bodies.
The Arts Council currently runs five funding programmes: -
• Grants to Organisations: investment for organisations including projects, capital, organisational development and research. Grants range from £200 up to £100,000. Most grants will be under £30,000.
• Grants to Individuals: investment for individual artists, including residencies, bursaries, arts projects led by individuals (such as visual artists, writers or promoters) and capital projects and research and development by individuals. Grants range from £200 up to £30,000 and can cover activities lasting up to three years.
• Grants for National Touring: for work in all art forms touring in two or more Arts Council regions. The Arts Council can consider tours that also include Wales, Scotland and Northern Ireland. Grants are available for individuals and organisations. They normally range from £5,000 up to £200,000 and can cover activities lasting up to three years.
• Grants for Stabilisation and Recovery: aimed at large-scale organisations that are central to arts provision in England and have a financial turnover of £250,000 or more and audiences in excess of 25,000 per year. Stabilisation helps arts organisations to develop and re-focus their work, giving them an opportunity to put themselves on a more secure footing. Recovery assists arts organisations with developing financial recovery plans, in conjunction with their key stakeholders, which will enable them to secure their operation’s stability in the medium term.
• Arts Capital Programme: to support arts capital projects - buildings, equipment and public art commissions. Organisations can apply for between £100,000 and £5million.
Application Procedures
1) Grants for Individuals, Grants for Organisations and Grants for National Touring
Who can apply?
• Artists, performers, promoters, presenters, curators, producers and other individuals working in the arts
• Arts organisations
• Local authorities and other public organisations
• Partnerships, collectives, and regional and national organisations
• Organisations whose normal activity is not arts-related, including voluntary and community groups
• Groups of organisations or individuals. (NB: one of the organisations or individuals involved will need to take the lead and have the main responsibility for managing the application and any grant awarded). The application has to be arts-related and based mainly in England. There are, however, exceptions to this, for example when artists are involved in professional development activities in other countries. Organisations receiving regular funding from the Arts Council can only apply if their lead officer at the Arts Council agrees beforehand. Individuals working for organisations receiving regular funding from the Arts Council may only apply for training, professional development and travel grants in certain circumstances and if the money is not available through their employer. The Arts Council expects most organisations receiving regular funding to have an adequate allowance for staff training and development in their budgets.
How do I apply?
You must complete a written proposal and an application form. You may also need to include other information – this is outlined in the guidance notes. The application forms and guidance notes are available to download from the Arts Council website. Alternatively, you can contact the Arts Council Grants Phoneline: 0845 300 6100 for an application pack. The Arts Council strongly recommends that you get advice from the Arts Council office in the region where you
are based before applying. The application and assessment process falls into different bands, according to the amount of funding sought. Decisions for applications under £5,000 are made within six weeks and for hose over £5,000 within twelve weeks. There are no deadlines. Partnership Funding: the Arts Council expects applicants to find at least 10% of the money they need from other sources, such as earned income and grants from other public bodies.
2) Grants for Stabilisation and Recovery
Who can apply?
Large-scale organisations that are central to arts provision in England and have a financial turnover of £250,000 or more and audiences in excess of 25,000 per year. The organization must have been running for a minimum of five years and must be either a registered charity or a not-for-profit organisation with charitable objectives. Organisations must also meet the Arts Council’s Admission Criteria. The Criteria are available on the Arts Council website or from
the Stabilisation and Recovery Unit. NB: The Recovery programme will fund one-off interventions to facilitate change, such as staff restructuring or investment in marketing. It will not fund the costs of major capital items or the repayment of debts to stakeholders.
How do I apply?
The Arts Council advises potential applicants firstly to contact the Stabilisation and Recovery Unit. After discussing your application with the Unit you should contact the Arts Council office in the region where you are based, which will have to endorse your application. You must then complete an application form and return a hard copy and an electronic version to the Unit.
3) Arts Capital Programme
There are two planned spending rounds between 2000 and 2005. For details see the Arts Council website.
Contact Details
Arts Council England has nine regional offices and a national office. You should refer any
queries that you have on funding or any other matter to the Arts Council office in the region
where you are based.
National Office
Arts Council England
14 Great Peter St
London
SW1P 3NQ
Enquiries Tel: 020 7973 6517
Tel: 020 7333 0100
Fax: 020 7973 6590
E-mail: enquiries@artscouncil.org.uk
Website: www.artscouncil.org.uk
Grants Enquiries
Grants Phoneline: 0845 300 6100
Grants Textphone: 020 7973 6564
Finding out about funding sources…
The general rule about how best to find out about different sources of funding is to start with one of the above first points of reference and then to follow up by contacting ever increasingly more specific ‘leads’ until you find the information you need:
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There is no substitute for persistence and hard work: it is a matter of picking up the phoneand following up all of the leads that flow from your initial contact(s).
At the end of this resource pack is a list of possible funding sources, funding databases, websites, funding publications and contact details to help you start off on your search for possible sources of funding. The list is not a complete list of every source of funding but is a good starting off point for your search.
The overall aim of this pack is to provide and easy-to-follow guide on how different voluntary and community groups might best approach the task of bidding for funds and resources. It is not intended to be a totally comprehensive book on everything you must know and do. The pack is structured as follows:
- Step one: how to assess your own organisation’s capabilities and requirements.
- Step two: how to make sure you have tailored your bid to the needs of the funding body.
- Step three: how to actually put your project bid together.
- Step four: how to present your case to the funding body.
- Step five: how to proceed if you have been successful (what to do next if you have not).
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List of possible grant bodies
Step One:
Assessing your own organisation’s capabilities and requirementsFunders will want to know about you and will look favourably on organisations who are able to present an honest, clearly drawn picture of their strengths and weaknesses and have a clear view about exactly what resources they need for what purpose(s).
1.1
Establishing your organisation’s strengths and weaknessesHot Tip: This is the starting point for any successful bid for funding. You need a clear idea of who you are and
what you do. Specifically, you should identify:
v
Your goals: have a clear picture of exactly why you need funds and /or resources.v
Your capabilities: develop and communicate to others a clear picture of your own organisation, in particular, highlighting:v
Your organisation’s structure, goals and philosophyv
Geographical scope, what is your area, what is your area made up of, who is in your area.v
What you are good at (past achievements)v
Partners and/or parent organizationv
Existing funding and commitmentsv
Where there are any weaknesses or gaps that need improving upon.v
Your core competencies: why not do an ‘internal audit’ to establish your ‘core’ skills.v
In doing this audit, make sure you canvass widely within your organisation to establish exactly what it is you do well, and less well. It is important you do not miss a genuine strength or an area that needs improving.1.2
Deciding whether you really need fundingHot Tip Before looking at how much money you need or which funders you are going to apply to, develop a clear idea of what you require the money for.
Simply wanting more money for a whole range of poorly defined projects, or to just to swell the coffers is not good enough. You must have clearly defined objectives and/or well defined projects(s) in mind before applying for funding or non-cash help.
v
Be realistic: There’s no point in applying for a large amount of money that you wouldn’t know how to spend properly, or applying for funding if you don’t have the staff time to manage the project to good effect.v
Be honest: Identify your precise objectives in applying for funding. Avoid the temptation to distort your organisation’s needs and requirements in order to squeeze into a particular funder’s funding criteria.
1.3
Deciding whether you need cash or other resourcesTwo questions have to be answered:
v
How much funding do you require?v
And what specifically do you want: money or other resources?So pay particular attention to whether it is cash funding that is really required. Be alert to the possibility that some form of non-cash support may be a better alternative or more appropriate.
1.4
Deciding how much funding or resources you wantLink your objectives to your request for funds: the amount of money or resources you require should follow quite naturally from your objectives in applying for funding. Carefully think through what you want: funding bodies like to see that a project they are funding has been well thought through and that their money (or resources) is needed for particular tasks and will not be wasted.
v
Link costs to tasks: you should carefully work out the expenditure needed to support each of your objectives. Consider all main categories of expenditure which are likely to be required to meet your objectives. The following is an example of headings you may wish to consider:v
Contributions towards the running costs of your operation: even if you are setting up a new project within your organisation, it will mean expenditure from existing central budgets such as premises, general office costs, and other administration.v
Staff costs - if you will use the funding to employ new staff, allow money for recruitment. Don’t forget to take into account salary increments, training and other expenses. - Other personnel resources you might ask for - e.g. staff secondments to provide specific expertise. - One-off expenses for capital equipment. - Other clearly defined non-recurrent expenses.1.5
The quality of the bid is ‘in the message’v
Time and commitment: following your internal organisational audit suggested above you should now ensure that you have the time and commitment from your organization to actually put in your bid.v
A quality bid: the quality of your actual bid will be taken by funders as a reflection of the quality you will bring in managing the final project.v
Funders do not want to see their money wasted: inefficiently managed projects - however worthwhile they may be - are of no interest.1.6
Developing an organizational fund-raising strategyv
A co-ordinated view: if you are going ahead, remember you must develop a strategy to which your whole organisation is committed.v
Think strategically: try to develop a fundraising strategy - a long-term plan of how you are going to raise funds.v
If at first you don’t succeed... plan to succeed, but if not, have a ‘Plan B’. So, if you are not successful the first time, don’t abandon the idea. Once you have made a few applications you will start to develop the skills and techniques required to win funding bids.
So remember, an unsuccessful bid is also a learning opportunity.
Hot Tip It’s no good putting in a hopeful all-purpose bid to lots of funding bodies. Get to know
exactly what specific funding bodies are looking for and tailor your bid accordingly.
Step Two:
Tailoring your bid to the funding body
v
Stay in touch: establish a regular contact within a funding organisation - stay in contact by phone, email or fax. As the dialogue develops you will develop a greater understanding of the funder’s requirements. This means (eventually) you should have a successful bid.v
Check the small print: check and double check that you have not missed any specifics that would rule you/your organisation out of the bid.
2.1
Matching your organisation’s needs with funding opportunitiesv
Eliminate organisations: eliminate from more detailed consideration any organizations whose funds you would probably have a poor chance of winning.v
Draw up a shortlist: draw up a shortlist of between 6 and 10 funders which you wish to examine in detail, prior to submitting your bid.v
Think ‘fit’: you should check the degree if ‘fit’ between possible funders and your organisation and hone down your initial shortlist of potential funders.v
Fit - general and specific: the degree of fit should be established both in terms of the general field in which you work and the precise objectives or projects you are looking to fund.There should be a reasonable ‘match’ against the following criteria.
v
Topic: specific fields of interest of the funding`body - e.g. there is no point in applying for funds for the renovation of an historic building to a body whose concern is with the promotion of new architecture.v
Geography: note any regional focus in the funder’s interests - some funding bodies will be set up to serve, or have a preference for, funding projects in a specific area.v
Scale: check the overall amount of funding provided and the typical/maximum size of individual grants.
2.2
Understanding the funding body’s assessment criteriav
Know the rules: make sure you get hold of a copy of the funding body’s selection criteria. Establish the purposes for which they give funding and any restrictions on funding. Some funding organisations lay particular stress on age, ethnicity, religion, special needs, and so on.v
Nature of funding: remember that some types of funder will tend to fund assets, others will be more willing to contribute to running costs, while others will favour funding people.v
‘Its good to talk’: communication with potential funding bodies is vital if you are to understand fully their assessment criteria. Organisation not only have formal criteria, they also have distinctive styles and vocabularies. Try to make sure, wherever possible, that you meet with appropriate individuals from the funding organisation.
2.3
Typical criteriaBelow, we list typical criteria against which bids for funding are often judged:
v
Clarity: be specific and clear about the extent to which the money being applied for has relevance to the funding organisation’s work.v
Does your idea show vision?v
Think wood not trees: demonstrate a clear strategic focus, with innovative thinking, highlighting your ability to ‘put your head above the parapet’.v
What benefits will your project deliver to your local area/community?v
Prepare a checklist: list the different groups of people who, in the course of the project, will benefit from what you are doing.v
maybe draw a map or diagram explaining how your project will help build links with different voluntary groups and organizations within the community.v
Will people benefit?v
Clearly map out precisely the key beneficiaries of the project, and how they will be involved in the project.v
Detail how the various people who will be involved in helping you with the project - including your own staff and partners – will benefit from the project.v
Also show how your organisations will make use of volunteers and partners and how they will benefit from the project.v
Do you have the credibility to receive funding? Track record: work hard to demonstrate the credibility and standing of your organisation - show examples of past achievements.v
Solid financial platform: demonstrate that the organisation is financially sound and has proper accounts.v
Match funding: if possible, show how the`funding you are requesting will be matched or supported by funding from other bodies/organisations. (Funders feel encouraged by the fact that you are able to find funds from elsewhere).v
Will you be able to manage the project? Draw a project management chart: clearly show who is looking after what task against what timetable, and so on.v
Cost effectiveness: demonstrate exactly how your activity will represent value for money.v
Properly staffed: show that you have thought through what you are going to do in terms of the person ‘power’ that you will require.v
People management: map out which people are involved in the project and in what way. You then need to demonstrate that you have good people management procedures.v
Allocate tasks to people: you need to clarify which people will be looking after what task, and demonstrate that each individual has the training and expertise to carry out this task.v
Milestones: you will need to map out the fact that people involved in the project have been given definite milestones against which they should be achieving particular tasks.v
Monitoring: show how you plan to evaluate whether or not you have been successful in achieving the goals of your project.v
Can the initiative be sustained?v
Sustainable benefit: show how your project - once the funding has ended - can be kept going.v
Being a role model: show how your project could become a model of good practice to be used by others in other bids.v
Are you following an equal opportunities policy? Race, gender and age: demonstrate that there is appropriate commitment to equal opportunities, and confirm that there is no evidence of ageism or racial inequality. www.artslineonline.com provides information on accessibility to arts venues for disabled people.v
Wider world resourcing issues: Show you are environmentally friendly: explain in detail exactly how your project is compatible with other wider goals in terms of the use of the world’s resources.
2.4
Adapting your bid to the funding body
v
Do your homework: for each potential funder, find out whether there has been any prior involvement with your own or similar local organisations in the past.
v
Use the right language: make sure you adapt your approach appropriately for charitable trusts, government or business. There is no point in writing the same letter to everyone; you must tailor your letter to funders, making use of the language and key words that are likely to trigger a positive response..
2.5
Applying to businessesv
Show understanding: when applying to commercial organisations, make sure you understand the company’s core business. Look at all their literature, and make sure that when you apply to them you speak to them in their own language.v
Strike a chord: it is important to strike a chord with what the funding organisation is seeking to get out of funding you. So draw this aspect out in your application.v
Be selective: companies dislike barrages whereby numerous managers within the same organisation at the same time receive requests for money. This seems devious to companies.v
Be honest: companies like honest straightforward requests for help.v
National or local: make sure you get it right in terms of whether you should be applying to the central head office of the company, or to a local branch.v
Become a partner: many companies like to work in partnership. They will want it to be clear that you will be putting in most of the effort and that you are not solely relying on their input, but if it is appropriate, offer them a partnership. Some would rather take this up than just hand over a cheque and a year later get a brief note saying what happened at the end of the project. If they takeup the offer, make sure you build in the facility for monthly progress meetings and reports, visits to projects, skill sharing, and so on.v
Minimum bureaucracy: a company does not like to see too many highly paid officials in the applicant’s organisation. To them, this suggests unnecessary administration costs and inefficiency. If your organisation has a lot of staff, make sure to explain why they are needed.v
Don’t hide your light under a bushel: companies like information about applicants. Don’t assume a company knows who you are explain to them what you do, who you know, others who support you, and so on. If appropriate, provide them with references from other funders.v
Good planning: companies don’t like bad planning. As business people, senior company managers are sensitive to poor organisation and sloppy planning: as donors, they don’t want to see their company’s money frittered away.v
Be logical: companies like a well reasoned case.v
Show some insight: companies do not like ignorance of their organisation.v
Show how you would help with their publicity: companies love receiving publicity that enhances their reputation.v
Don’t become a ‘drain’: companies dread clinging vines - organisations that become increasingly dependent on them and have to be supported ‘indefinitely’.v
Say thanks: companies, like anyone else, like recognition. They want to feel they are appreciated, so make sure you say ‘thank you’.v
Be gracious: a company doesn’t like a bad loser. If the answer is ‘no’, take it with good grace. But do seek feedback.v
Be timely: make sure you are aware of all the deadline and timescales for funding applications to a practical organisation.v
Tell ‘em what’s in it for them: headline - in a snappy, impactful way - what benefits will accrue for the business by being with you.
2.6
Applying to a charitable trustHot Tip: Respect trust’s rules: if a trust says that it only makes grants to provide benefits in a particular field, it means it. So if a trust says that it doesn’t fund general projects of a particular type, don’t try to cajole them into thinking that you are an exception.
v
Highlight your charitable status: most trusts prefer to make donations to voluntary organisations that are registered charities. This reassures them not only that the money will be used according to charitable law, but also that they are able to claim tax back. But if you are not a registered charity, remember: all is not lost. You can become affiliated to a charity, or your local council for voluntary services maybe able to help you.v
Allow plenty of time: it can sometimes take six months to raise money from trusts. Some of the trust bodies that make decisions about who gets money meet once a month, but others may only meet once a year.v
Don’t send a standard circular: charitable trusts are particularly irritated by receiving glossy literature that does not tailor the bid to exactly what they are able to provide under the terms of their ‘trust deed’ - that is, their policy guidelines.v
Call them: don’t be afraid to contact people within charitable trusts to make sure you fully understand the criteria that will be used to select winning fund applicants.v
Don’t always expect an acknowledgement: trusts often prefer to conserve funds by not acknowledging each application. So if you do want an acknowledgement that your application has been safely received, make sure you enclose a stamped addressed envelope or postcard.v
Deadlines: these are particularly important for trusts: remember they meet infrequently.v
Say thanks and keep in touch: if you do receive some funding, make sure you let the trust know the outcome of your project, and thank them for the funds.2.7
Applying to Government bodies
v
Meeting the selection criteria is essential: meeting the funding criteria is important in all cases, but it is particularly true of Government bodies. Here, you are dealing with people who are handing out public money, and quite rightly, those doing this must demonstrate the highest levels of public accountability. So your application will be closely judged against the exact criteria that have been laid down.v
Civil servants are becoming more accessible: don’t be afraid to pick up the phone and talk to an individual at the Government body. Gone are the days where you could not talk to key civil servants. So get on the phone and run over any questions and queries you have or any misunderstandings you may have over the criteria and ask for more information.v
Rules are rules: Government bodies, perhaps more so than others - in fairness - have to stick to the rules. They have limited room for manoeuvre to extend a deadline by a day or introduce too much flexibility into the process. So make sure you do exactly what it is you have been asked to do in the time.v
Mobilise your critical contacts: it is helpful to make sure you have had a dialogue with local councillors, MPs or MEPs about your venture. Being able to show that others are on your side and support your cause could be influential in winning your bid.
3.1
Keeping your project manageable and focusedv
Don’t be too ambitious: keep the scale of your project manageable. Being tempted to add on extra ‘bells and whistles’ can destroy the essential character of your project, and deflect you from the main issues you wish to pursue.v
Prioritise: make sure you have ranked all the issues that you wish to explore in the appropriate priority order.v
Ruthless pruning: as your project develops, individuals may be tempted to pursue issues of marginal, possibly even personal, interest. So at appropriate points in putting together your bid, ruthlessly edit out all unnecessary deviations and complications.
3.2
Pilot and preparatory work
If you are applying for funds to conduct a survey of the local area, why not demonstrate that you have already gone out and spoken to some people and have begun to understand some of the key issues. Avoid reinventing the wheel: the funder will be disappointed if you are bidding for funds but do not show any understanding of what has gone before and are only looking for funds to duplicate work that has already been conducted.
UK Statistics provide a useful range of facts and figures about your community. This is an excellent resource when planning a community project or putting in a funding application. Visit:
www.statistics.gov.uk Also the North West Arts Council Fact Sheet IN19: ‘A Social & Economic Profile of the North West’ provides facts and figures. Email info@nwarts.co.uk
3.3
Getting it right and tight
Hot Tip: Any funding organisation – whether Government, a charitable trust, or a commercial organisation - will become irritated if the bid for funds is not tight; that is, well organised and structured.
v
Clarity is everything: take care to provide a clear rationale for every argument you are advancing.v
Delivering your expected outcomes: you should have a structure for your bid that demonstrates exactly how you intend delivering your expected outcomes from the project. (Here, charts and diagrams - linking, for example, with arrows how expenditure on different resources will produce different benefits - may be helpful).v
People reading documents get annoyed about sloppiness.
Step Three:
Putting your project bid together
v
Clarify any assumptions you are making: can they be backed up, or are they just based on anecdote?v
Ambiguities: do not use any phrases or terms that could be interpreted in different ways. The funder will take the view that if you cannot think through issues in your bid for funds then you will not be able to think through, and manage, the project if you were awarded funds.
3.4
Good financial management
It is difficult in this Pack to describe exactly what financial management will be required for every situation. Clearly, this will vary by the type of funding body, and also by whether you are applying for a smaller or larger sum of money. Below we provide a checklist of financial and management issues for possible consideration. You may need to include some or all of these in your bid.
v
Constitution: make sure you provide copies of your organisation’s constitution or other documentation explaining how your organisation is legally structured.v
Bank accounts: decide what bank accounts you should open to run the proposed venture.v
Budgeting: make sure you go through a procedure of setting budgets and are able to control expenditure against the various budget categories.v
Quotations: make sure you have a proper procedure in place for obtaining quotations for suppliers working on the project and a definite procedure for awarding contracts.v
Management structure: make sure you can produce regular management accounts and have someone, or preferably a finance or management committee, who will receive them.v
Cashflow forecasts: ensure you have a way of looking at when money is coming into the project, in relation to when funds are going out.v
Audited accounts: make sure that the annual accounts are audited in an appropriate way for your organisation.v
Other documents; you may also need to provide documents such as job descriptions and an equal opportunities policy.v
Making up any funding shortfall: if you are only asking for partial funding, you will need to build into your financial reporting reassurance to the funder about how the remainder of the project is being funded.
3.5
Will it be alright on the night?
v
Having a meaningful project and good people to run it means nothing if you are not able to operate to the declared timetables.v
So provide a detailed timetable with your bid mapping out the logistics of the operation.v
Be a good anticipator: remember - one of the key project management skills funders will be looking for is the ability to anticipate upcoming problems and have taken appropriate preventative action.
3.6
Monitoring, evaluation and feedback
v
Milestones: it is important that you demonstrate to the sponsor that you are closely monitoring and evaluating the progress of your project. It is therefore important to establish a number of key milestones, and to provide reassuring feedback to your sponsor that you are achieving the targets you have set yourself at each of these milestones.v
Summary: by now you will have:v
prepared a document that explains who you are and what you dov
demonstrate you meet the funder’s criteriav
So you need to make sure that your written document and any verbal presentations will do justice to all the work you have put in so far.
Hot Tip: Remember, large organisations receive many thousands of funding bids each year, so it is important to make sure your written documentation is engaging, easy-to-read and impactful - ensure your verbal presentation is punchy, succinct, enthusiastic and convincing. For both the written and verbal presentation, differentiating what you do is important.
4.1
Differentiating your bidv
Remember: hundreds of others are bidding for the same ‘pot’. Your bid must stand out from the rest. So...v
Demonstrate the project’s distinctive benefitsv
Pinpoint what is unique or innovative about your project.v
Provide some guaranteesv
Demonstrate some quick wins i.e. concrete, clearly defined benefits that are likely to flow quickly from the funding?v
Build rapport and show empathyv
Early on in your communication, demonstrate that you have some rapport with the funding organisation: play back the funder’s own key words and language in your own bid.v
Give concrete evidence of your organisation’s commitmentv
Show that you have already raised some money of your own and are a successful organisation.v
Find ways in which you can use the funder’s money to leverage other funding.v
Be snappyv
Avoid jargon: make sure that you do not slip into jargon that is only understood in your world (i.e. put yourself in your reader’s shoes).v
Preface document: if the application procedure allows for it, preface the bid document with a punchy executive summary.
4.2
Tips on preparing the written documentv
Title: remember that first impressions are important. The impact the title of your document makes is critical. So it is not, "Towards forecasting the number of cars and light vans on UK roads (excluding the Greater London area) by the turn of the Century", but, "How many more cars?"v
Content page: this is a key page. Everyone is busy these days, and a lot of people will use the contents page to guide their way through your document.v
Develop a logical structure: there are different ways of laying out a bid document. One possible approach is as follows:- Summary.
- Background to the problem/issue.
- About your organisation: your experience and credentials (Who we are).
- Aim and objective of the initiative (What we want to do and why).
- Details of the methodology/approach you are going to adopt.
- How you will manage the project (Who will be doing the work).
- Summary of the key applications, actions and decisions to be taken on completion of the project (the key outcomes).
-
Timetable and costs (How much money do we want, over how long, and how will it be spent).-
Appendices.v
Several drafts: be prepared to do several drafts of the document, and always get a second opinion on what you have written.v
Use subheadings extensively: never write more than 300 words without putting in some kind of heading (consider numbering the paragraphs but don’t overdo it).Step Four:
Presenting your case
v
Put yourself in your reader’s shoes: know in advance what the reader is looking for.v
Be succinct: cut out all long words and be ruthless in editing your own work. You should be able to cut your first draft by 30%.v
Keep it simple: when in doubt, leave it out.v
Getting the grammar right: the general rule is to write in an impersonal and/or passive style (e.g. not "I think" but "It can be argued that").v
Make it visually attractive: try to use diagrams, pie charts and illustrations or tabular data to get over your message.v
Pay attention to detail: remember, just one mistake lowers the reader’s confidence in the entire document.-
4.3
Giving a verbal presentationv
Be therev
Make sure you have got the venue, date and time right, and that you are on time.v
Homework Know your audience.v
Make sure you check that all the equipment you need is available in the presentation room.v
Put your best foot forwardv
Dress for the part.v
Try to do a dry run/dress rehearsal.v
Structure- Clearly identify the key points/message you wish to put across.
- Make sure you present this in a logical way.
- The old maxim: ‘tell’em what you’re going to say; say it; and tell’em you’ve said it’ often still applies.
v
Choose carefully the most appropriate visual aids - if it is a big important presentation then 35mm slides may be appropriate; but for other presentations, an OHP will suffice, and for others a flipchart will be all you need.v
Know your lines: maybe have a crib sheet, but do not read from a script.v
Always use a presentation style with which you feel comfortable. For example, if you feel at ease using humour, and adopting a light-hearted approach, try this. But if you feel uncomfortable about this then do not even attempt it.v
Leave something behindv
Hand out copies of your presentation charts.And remember
-
Presentation is really ‘theatre’, so everything has to be a little ‘bigger, sharper, impactful and crisper’.-
4.4 Using alternative media
In certain situations it will be appropriate to use media other than the written report or presentation in order to communicate your application. There may be organisations that are willing to receive applications in the form of an audio tape, video tape, or some other media. Some tips in using these alternative media appear below.
Only use a media form with which you are comfortable.
- Don’t try to be over-ambitious.
- If in doubt, seek outside/professional help.
Hot Tip: If you’re planning to succeed, you need to think about the consequences of success! You may not want to raise all of the issues associated with winning funding in your bid document, but you should think about them before you submit your bid.
5.1 Things to plan for
If you receive less than you asked for, do not try to carry on and do the same project with less money. If the costings in your bid were accurate, then that is how much the project will cost. If you have received less money, you will either have to top up the funding from elsewhere or scale down the project. In either case, discuss it with your funders.
If you have to match the external funding, how are you going to proceed? Check whether the funder has any exact requirements on the monitoring of how the money is spent i.e. whether they require receipts, weekly reports: make sure you can meet these.
Check whether you have all the staffing competencies you need to make full use of the funds; will you need to recruit help? If you are applying for equipment such as a computer, do you have the expertise to use it? If not, you should be applying for money for training as well.
_ Do you have enough office space for any new staff/are your premises suitable for running the proposed project?
_ Do your current staff need any additional management and/or support staff?
_ Are your general support facilities adequate (telephones, fax, copier, computer, etc)?
5.2 Planning your exit strategy
In the euphoria of winning funding, it seems inappropriate to start planning your exit strategy. But this is something that both your own organisation and the funding organization will need to think about. The people/project you are helping may think that you are going to be able to help indefinitely, but this will not be the case. So you need to be managing everybody’s expectations.
Therefore, make it clear exactly what help you can provide over what time period. And do this in a timely way - perhaps half way through the project. At this point, start the process of discussing the best way to phase out of the project, ensuring that your good work can be sustained by others. Having thought not only about starting up the project, but also about what will happen when the project is completed, will impress the funding body. As explained, this is a key issue to them. They want to be praised for what they have done, not criticised when the project stops.
Step Five:
You’ve been successful - what next?v
Be clear about who you are - what you do well, what you do badly what you don’t do at all.v
Be clear about what you want.v
Try to find a funder appropriate to what you are and what you want (don’t be afraid to use your own network of contacts, someone you know may have a contact in the company).v
Then, find out the detailed donation criteria of the most appropriate funder and show how your bid meets these criteria.v
Allow plenty of time to plan your bid.v
If it’s money you’re after - say so, but consider other resource requirements - e.g. people, training, materials, premises, etc.v
See your bid as a start of a friendship/relationship - be a partner.v
Be succinct and clear - don’t use jargon.v
Make your bid distinctive and attractive – it must stand out from the others who will be applying for the same ‘pot’.v
Don’t give up! (there may be more opportunities around the corner).
Sources of Funding…
Arts Council of Northern Ireland
MacNeice House
77 Malone Road
Belfast BT9 6AQ
Phone: 028 90 385200
Email: publicaffairs@artscouncil-ni.org
Arts Council of Wales
9 Museum Place
Cardiff CF10 3NX
Phone: 029 20 376500
Arts Council (Ireland)
70 Merrion Square
Dublin 2
Phone: 0 353 1 618 0200
Email: info@artscouncil.ie
www.artscouncil.ie
Scottish Arts Council
12 Manor Place
Edinburgh EH3 7DD
Email: help.desk@scottisharts.org.uk
Awards for All
Phone: 0845 600 2040
Funds projects costing between £500 and £5,000 that support community activity.
Community Fund
St Vincent House
30 Orange Street
London WC2H 7HH
Phone: 020 7839 5371
Email: enquiries@community-fund.org.uk
Provides funding to organisations involved in community projects,
voluntary agencies throughout the UK, and to UK agencies working abroad.
NESTA (National Endowment for Science, Technology and the Arts)
Fishmongers' Chambers
110 Upper Thames Street
London EC4R 3TW
Phone: 020 7645 9500
Email: nesta@nesta.org.uk
Various funding programmes to encourage UK talent and innovation in science, technology and art industries.
Youth Music (National Foundation of Youth Music)
1 America St
London SE1 0NE
Phone: 020 7902 1060
Email: info@youthmusic.org.uk
Various programmes for young people’s music projects.
ADAPT
Wellpark
120 Sydney St
Glasgow G31 1JF
Phone: 0141 556 2233
Email: adapt.trust@virgin.net
Small grants to improve access to art venues. Priorities given to arts organisations that are not eligible for larger grants.
The Baring Foundation
60 London Wall
London EC2M 5TQ
Phone: 020 7767 1348
Email: baring.foundation@uk.ing.com
Funding supports arts in education, improved access to the arts and the exchange of knowledge and skills in the arts sector.
The Carnegie UK Trust
Comely Park House
Dunfermline
Fife KY12 7EJ
Phone: 01383 721445
Grants for projects that use creativity to benefit communities. Preference is given to newly developed projects.
Chase Charity
2 The Court
High Street
Harwell
Didcot
Oxon OX11 0EY
Phone: 01235 820044
Funds projects related to any aspect of the arts. Particular emphasis on accessibility and social inclusion.
The John Ellerman Foundation
Aria House
23 Craven Street
London WC2N 5NS
Phone: 020 7930 8566
Funding to charitable organisations in the arts, medical research and care, disability and community development.
The Eranda Foundation
New Court
St Swithin’s Lane
London EC4P 4DU
Phone: 020 7280 5000
Supports charitable work in the arts, health, welfare, medical research and education.
The Esmee Fairbairn Charitable Trust
11 Park Place
London SW1A 1LP
Phone: 020 7297 4700
‘Arts & Heritage’ grant for projects that offer high quality arts experiences to audiences and work towards the preservation of national heritage.
Foundation for Sport and the Arts
PO Box 20
Liverpool L9 6EA
Phone: 0151 259 5505
Funds community projects in sport and art in the UK.
The Jerwood Charitable Foundation
22 Fitzroy Square
London W1T 6EN
Phone: 020 7388 6287
Email: info@jerwood.org
Provides funding and sponsorship of the visual and performing arts, and education.
Making Music
The National Federation of Music Societies
7-15 Rosebery Avenue
London EC1R 4SP
Phone: 0870 903 3780
Offers various funding schemes to amateur and semi-professional music groups in the UK.
The Performing Right Society Foundation
The Performing Right Society Ltd
29/33 Berners Street
London W1T 3AB
Phone: 020 7306 4044
Email: info@prsf.co.uk
Funding programmes to promote, create and perform music of all genres. Also provides some awards and scholarships for music education and training.
The Garfield Weston Foundation
Weston Centre
Bowater House
68 Knightsbridge
London SW1X 7LQ
Phone: 020 7589 6363
Provides funding in various categories including arts, education, environment, health and young people.
UNESCO – ASCHBERG
International Fund for the Promotion of Culture
1, rue Miollis
75732 Paris Cedex 15
France
Email: dir.ifpc@unesco.org
Funding for cultural/artistic projects with a focus on research, management, audience development or promotion of cultural diversity. Also offers bursaries for artists in various disciplines.
Other useful addresses…
Arts & Business
Nutmeg House
60 Gainsford Street
Butlers Wharf
London SE1 2NY
Phone: 020 7378 8143
Email: info@aandb.org.uk
Develops partnerships and sponsorship between business and the arts, publishes books and directories on sponsorship in the arts (see ‘Directories and databases’ below).
Association of Arts Fundraisers
4 St Stephen's Road
Cheltenham GL51 3AA
Phone: 01242 539579
Email: artsfundraisers@hotmail.com
Membership organisation of professional fundraisers for the arts.
Association of Fundraising Consultants
The Grove
Harpenden
Herts AL4 1AH
Phone: 01582 762446
Membership organisation for professional fundraisers.
Business Link
Phone: 0845 600 9006
National business advice service. Website contains information and links to local agencies.
Directory of Social Change
24 Stephenson Way
London NW1 2DP
Phone: 020 7391 4800
Email: info@dsc.org.uk
Provides information and training for the voluntary sector, including publications on fundraising and funding sources (see Directories and databases below).
EUCLID
46-48 Mount Pleasant
Liverpool L3 5SD
Phone: 07000 382543
Email: info@euclid.info
EUCLID is the official EC cultural contact point in the UK for ‘Culture 2000’. EUCLID provides support and assistance for potential applicants to this programme and guidance on other EU funding opportunities for the cultural sector.
Institute of Fundraising
Market Towers
1 Nine Elms Lane
London SW8 5NQ
Phone: 020 7627 3436
Email: enquiries@institute-of-fundraising.org.uk
Professional body of fundraisers.
International Intelligence on Culture
4 Baden Place
Crosby Row
London SE1 1YW
Phone: 020 7403 7001
Email: enquiry@intelculture.org
Provides information, training and research on international arts issues, including funding opportunities outside the UK.
National Arts Fundraising School
The Management Centre
117 Gauden Road
London SW4 6LE
Phone: 020 7978 1516
www.managementcentre.co.uk/nafs/nafs_intro.htm
Runs intensive training courses in fundraising for the arts.
The following books are all published by the Directory of Social Change. Most of them are updated annually.
To order these publications, or for more information
phone
020 7209 5151 or visit www.dsc.org.uk/charitybooks.html
Arts funding guide
The complete fundraising handbook
Directory of grant making trusts (CD-ROM available)
Finding company sponsors
Guide to local trusts in Greater London
A guide to local trusts in the Midlands
A guide to local trusts in the north of England
Guide to local trusts in the south of England
Guide to Scottish trusts
Guide to the major trusts
Guide to UK company giving (CD-ROM available)
Hollis sponsorship and donations yearbook
Published by Hollis Publishing Ltd
Phone: 020 8977 7711
www.hollis-pr.com/publications/others.htm
The sponsorship manual
Published by Arts & Business
Phone: 020 7378 8143
FunderFinder
Database on CD-ROM which helps individuals and non-profit organisations identify charitable trusts for funding.
Phone: 0113 243 3008
Contains details of organisations and funding opportunities
.Information and links to international funding opportunities in the creative industries.
Online database and information on European funding opportunities.
Website for professional charity and non-profit fundraisers, contains information, advice and funding links.
Funding source for non-profit organisations in the UK (subscription service).
Grants information database of UK government funding opportunities.
Online database of UK scholarship schemes.
www.uksponsorship.com/arts1.htm
Information and links to UK sponsorship opportunities in the UK.
Aims to link sponsors with organisations seeking funding in various fields, including the arts. Individuals seeking sponsorship can place their details on the website’s message board and Ukbased arts organisations can place a listing on the website. This service is free, although you can choose to pay for a more detailed listing
.PUBLICATIONS
General
The Arts Funding Guide
By Susan Forrester and David Lloyd, Pub., DSC, 6th Edition 2002, £18.95 A comprehensive 560-page guide to funding for arts activity. For further details call 020 7209 5151, e-mail books@dsc.org.uk or go to www.dsc.org.uk
Fundraising
Arts Council of England, March 2002 Contains useful contacts and publications. Available from the Arts Council website or their Library and Enquiry Service.
Business Sponsorship
Sponsorship Manual
Arts & Business, £15 (£7.50 to members of Arts & Business)
Contains practical guidance on how to obtain and develop sponsorship.
Business Investment in the Arts 2001/2002
Arts and Business, £40 (£20 to members of Arts & Bus